Found 2 collections related to Theater -- England -- London

The Everyman Theatre was founded by Norman Macdermott in 1920 as a non-commercial, experimental playhouse which showcased the plays of Bernard Shaw. It mounted Noel Coward's first successful work, The Vortex, in 1924 and introduced many foreign dramatists to the English stage including Eugene O'Neill, Henrik Ibsen and Luigi Pirandello. In the 1930s it was used by various small companies and in 1947 it was converted to a cinema specializing in non-commercial and foreign film. Records document the performance schedule and cast for the Everyman Theatre, 1920-1923. They consist of two time books (one bound notebook and one small booklet) listing curtain times for each act of every production, one notebook of staff wages, and loose receipts, mostly for costumes. less

John Van Druten (1901-1957) was an Anglo-American playwright, theatrical director, screenwriter, and novelist. Born in London of a Dutch father and an English mother, Van Druten was educated at London's University College School. His controversial play YOUNG WOODLEY (1928), initially prohibited, was eventually staged successfully in London and New York. Van Druten's later plays include THERE'S ALWAYS JULIET (1931), OLD ACQUAINTANCE (1940), the hugely successful VOICE OF THE TURTLE (1943), and BELL, BOOK, AND CANDLE (1950). Van Druten adapted several of these plays into film versions, and also wrote original screenplays, including UNFAITHFUL (1931) for Ruth Chatterton. Van Druten adapted Christopher Isherwood's BERLIN STORIES into the play I AM A CAMERA, which was made into a movie and later musicalized on stage and screen as CABARET. Van Druten's novels include A WOMAN ON HER WAY (1931) and THE VICARIOUS YEARS (1956). John Van Druten died on Dec. 19, 1957, at the age of 56. John Van Druten's letters to his friend D. Franklin Houston were written between Feb. 1929 to March 1931, from London, various places in France, and later from Hollywood, where Van Druten was writing a screenplay. Van Druten writes about his novel in progress, ELINOR, later to be retitled A WOMAN ON HER WAY, expresses his opinions about current plays in London, writes heartfelt but obscure notes about love affairs gone awry, and expresses disdain for the Hollywood movie industry. Also included is a very brief note to Houston from Noel Coward. less